Showing posts with label guest post. Show all posts
Showing posts with label guest post. Show all posts

Monday, July 22, 2013

Tutorial: From Clip Art to Knitting Chart


Hi! I’m M. C. Waldrep, needlework enthusiast and editor-in-chief of Dover Publications. There are only 155 days until Christmas...and every year I formulate ambitious plans to start making all of my Christmas gifts in July! Well this year, inspired by the great images on DoverPictura.com, I am determined to do it – and at the same time demonstrate how you can turn a piece of clip art into a knitting chart with just a printer and Photoshop Elements.


For my Christmas gift, I decided to make knitted pillows for a friend who just bought a new house. Because her new living room has a nautical theme, I thought a scallop shell was the perfect motif for her pillows.

I found a great shell in the Nature Stencil Designs collection (sheet 45). For my yarn, I chose Caron’s Simply Soft. I decided I wanted the shell to be about 10 to 10½ inches wide to make a 14-inch square pillow. Since the original image is close to square, the height would be about 10 inches as well. My first step was to knit a swatch to determine my gauge, which worked out to be 5 stitches and 6½ rows to an inch. This meant that my shell would be about 50 stitches wide.

The easiest way to get the image onto a grid is to print it onto knitter’s graph paper. Since a knit stitch is wider than it is tall, knitter’s graph paper has rectangles, not squares (Fig. 1). You can find the paper in some knit stores and online. Some sites even let you create the paper to your exact gauge rather than to a standard proportion.

Printed graph paper


Most of the graph paper is sized to fit on a letter size sheet of paper, so my shell was not going to fit on a single sheet at actual size. So, a little arithmetic was called for. Since I had already determined that my shell would be about 50 stitches wide, I measured the printed graph paper to see how wide 50 stitches would be. On my sheet 50 stitches measured a shade under 6¼ inches.



I opened my image in Photoshop Elements and cropped the image as close as possible to edges of the actual motif, eliminating any white space. I resized the image to 6¼ inches wide (keeping the ratio of the width and height linked). Because I wanted to see the underlying grid on the printed chart, I recolored the image to medium red.

Then I printed the image onto the graph paper (Fig. 2).



However, as you can see (Fig. 3), I still had a bit of work to do. 


Whenever you place a curved design on a rectangular grid, you will have to make adjustments. In this case the shell often covered only part of a rectangle, and I had to decide whether to make the stitch colored or plain. I outlined the edge of the motif with a felt tip marker to define the areas of color. This may sound tedious, but it makes the knitting so much easier. As I outline, I can tweak the chart to get the result I want. (Fig 4)


Now I was ready to start knitting. I worked up the design in two versions so you can see the different effects you can achieve.



On the solid color pillow, the shell is defined by texture alone – a stockinette stitch shell on a reverse stockinette background.



A third color could easily be added to the multicolor pillow by closing in the outer edge and working the ribs in a darker or lighter shade of coral. I also think this particular design would look beautiful with the shell worked in a variegated yarn.



The  method I used works best on simple designs with very clearly defined shapes. If you want to try more complicated designs with more colors, make your design larger and use thinner yarn so you have more stitches to work with. The larger your motif in relation to your gauge, the more detail you can add.

Now that you know how to create your own chart, you can use them to guide you through many other types of crafting projects, too – everything from tile work to needlepoint to painting!

- New to DoverPictura? Take advantage of our registration bonus. Click here to register and get three free image sheets!

Thursday, July 18, 2013

Guest Post: Quilter Patty Swatzell on living in "The Great Outdoors"

Each Thursday we're opening our blog to hear from talented crafters in our community. This week's guest blogger is quilter Patty Swatzell, who explains how living near the foothills of the Great Smoky Mountains National Park has inspired her work.



I am one of those fortunate quilters living in “The Great Outdoors.” For the last 25 plus years, we have lived near the foothills of the Great Smoky Mountains National Park and spend a lot of time visiting our favorite place…Cades Cove, a valley with an 11-mile loop perfect for sightseeing.


In the springtime, we love seeing the yellow jonquils blooming where old homesteads once stood, surrounded by Dogwoods and Mountain Laurel in bloom. Deer can be seen in the open fields where crops once grew. The black bears and their young cubs are beginning to roam and seeing them is a real treat. There is nothing prettier than a big Momma Bear running with her 3 cubs trailing behind.


We take our RV to the campground during spring and autumn. It’s these times of the year that I get most of my ideas for my quilts or do hand sewing. Evenings we find ourselves sitting by the campfire and I find myself thinking about future projects and what fabrics I will be using but then it’s roasting marshmallow time.

Back home, the view from my sewing room is looking out at those mountains I love. Every moment I spend in my sewing room I am in my happy place enjoying a quilter’s life.

 

Most of the quilts I make are donated to various individuals that have touched my life. The quilt I am working on now includes memories of our time living in Fairbanks, Alaska with the USAF. I am also into sewing small wall hangings of the mountains using a rotary cutter, Ombre and landscape fabrics. I like to blend and fade the colors into each other. This leaves a lot to my imagination and with the mountains forever changing, each day is more beautiful than the last.  --Patty